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Majestic
Rock - The Majesty Of Rock / The Peasantry Of Roll
Interview By: Dimitrios
Fatouros
Majestic Rock is probably the premier
hard rock and heavy metal reissue label and so much more. É had the
pleasure of becoming familiar with them and their releases, when
instead of 1 cd that I was meant to review I received the entire back
catalogue at that point. These guys pay no attention to trends and
fads, and give 101 % of what they got. I was in awe, not only by the
quantity, but also by the quality of most of their releases. Majestic
is a company that is lead by two people who share an awesome vision
and have a limitless passion, for rock music. Here’s what Geoff
Gillespie (ex SABRE/SNOWBLIND) and one of the dynamic duo of Majestic
had to say…
M.I: You are a relative newcomer to this
market. Tell us how it all happened. Chronicle the rise of the company
from zero to hero.
No zeros
here! Seriously, I have been involved in hard rock and heavy metal
since 1982, when I was rock label manager at Pinnacle records - the
UK's leading independent distributor. At that time, I was in charge of
labels like Neat, Music For Nations and Roadrunner. From there, I
handled rock promotions with Phonogram records, working with Kiss, Bon
Jovi, Metallica, Def Leppard and many, many more. After that, I took
over rock promotions with East West records, handling Dream Theater,
Rush, Kings X...the list goes on. It 1996 I co-founded Zoom Club
records, but that ended badly in 2002. In 2003, with my awesome
colleague Adrian Clay - who I'd known for twenty years - I formed
Majestic Rock. Adrian's background is sales, and there's nobody better
ANYWHERE at what he does. We make a great team, and long may it last!
M.I: How many people do you employ - and
is it a hard job, really, running the label ? Introduce the main
people in the label if you wish.
We keep a
tight ship. In reality, there's only four of us, but we work very
closely with all of our distributors across the world, and they take
up the slack, effectively acting like a fifth member of staff. We
probably need a couple more people on board, but as I'm sure Adrian
would happily agree, we're both total control freaks!
M.I : Were you active in the music scene
and business before Majestic came to be ? I know Geoff used to be in
SABRE and later (as i found out hehe in SNOWBLIND). And i think he
used to be in Zoom Club ?
That's
quite right! As well as this, I've freelanced as a writer- Kerrang!,
Metal Forces fanzine, Music `Week ( an industry magazine) and briefly
Sounds - done a bit of DJ work (even sat in for Tommy Vance on the
Friday Rock Show once!) and tour managed bands (specifically the
NWOBHM 20th anniversary event in Tokyo in august 1999 with Praying
Mantis, Tank, Samson (RIP) and Trespass. Also managed a couple of
bands, most notably UK cock rockers Naughty Naughty, who got a
lot of press in the UK for all the wrong reasons and toured with
Badlands on their last UK trip.
M.I: Since you 'd seem to have a
background in the business/scene what is your take on the current
state of the music scene ? Is it dying? What is your opinion about
MP3s/filesharing? Would you make your catalogues available as digital
downloads? Would you consider pressing vinyl if enough demand was
manifested? Do you think melodic rock could make a comeback and regain
the popularity it enjoyed in the mid 80s ?
A lot to
answer there. OK, firstly, I think the scene is fairly healthy in the
more underground sense - band's like Masterplan, Silent Force,
Firewind & Dragonland are keeping that whole epic hard rock thing
alive, though they probably wouldn't like me referring to them as
underground - but facts are facts. Sadly, what passes as rock has been
hijacked by the media and is more about the fashionable body piercing
and the length of your shorts - we live in the sound byte age! In that
respect, things have never been worse and they'll never get better. We
are living in the last days of the record industry as any kind of
relevant force. This doesn't worry me at all, because we are the
underground, a niche that will always survive but never sell huge
amounts of records.
As for MP3
and file sharing, no problem at all. I firmly believe that rock fans
would always rather own the CD, art work and all. Let's just remember
that the guy who downloads a CD rather than buy it, was NEVER gonna
buy that CD in the first place, so you haven't lost a sale, have you?
I'd love to
manufacture vinyl but, for all the talk, there really doesn't seem to
be the interest out there. Pity.
Sadly - but
maybe not sadly, really - melodic rock has really had its day in the
sunshine. In any case, for it to ever be the force it once was, major
labels would need to get involved...and we really don't want that,
trust me. I've been there, and I know.
M.I : What are your criteria for
deciding on re-releases ? Obviously some stuff like TYTAN well
deserved a re-release, but in your back catalogue there are some
lesser known or really old and obscure recordings by lesser known
bands. Is there enough interest on those?
There is a
responsibility on a label like us to do the things that aren’t really
gonna sell bucket loads but need to be done anyway. I’ve always felt
this way – remember the classic Marcus album that was re-released
through Zoom Club? One of the greatest hard rock albums ever, but it
sold really badly. It is still one of the most important things I’ve
been involved with in 22 years in the business. Sometimes, it’s not
about the money. It’s about what feels right…though, of course, Adrian
might not agree with me there!
M.I : Best / Worst release/re-releases,
? Most gratifying one?
If we're
talking solely about Majestic Rock - which, of course, we should be! -
then the best in sales terms would have to be the Tytan 'Rough
Justice' release, Waysted's 'Save Your Prayers' and the Grand Slam
'Twilight Last Gleaming' CD. Worst - oh, I dunno...the Surgin'
'Electric Nights' and 'Jack Ponti presents...' discs have some quality
issues but, considering their archival worth, I'd still stand by them.
Most
satisfying? No doubts at all - John Sloman's 'Dark Matter'. Sadly, we
aren't working with John anymore - don't ask! - but this
record`remains one of the finest things I've ever been involved with
ever. A real masterpiece, it's just a pity more people aren't aware of
this record. I know Adrian feels the same way about this.
M.I : You 're also signing acts up - but
with reluctance. is the profile of the company gonna stay mainly as it
is ? (Re-releases) or would you intent to focus more on releasing more
and more new material ? Perhaps balance those two trends?
Why do you
say 'with reluctance'? We're more than happy to sign the right act,
and we're perfectly capable of working those acts within our
admittedly meagre budget - just ask M.ILL.ION. I see the label
definitely gravitating more towards signing acts - we have two or
three deals in the pipeline that are really gonna surprise people that
I would be stupid to talk too much about here. There will always be a
home for re-issue on Majestic Rock, 'cos that's where our heart is.
Obviously, though, there's a finite amount of worthy re-issues out
there to be had. Survival will ultimately mean more new acts, I think.
But the right new acts, acts that fit our criteria.
M.I : Is Geoff based in Japan ? What is
different about the Japanese branch of the label ? Are the catalogues
identical – or are there some jappo-only releases ?
Yes, I’m
based in Tokyo. We have released both Magnum’s ‘Brand New Morning’ and
Lionsheart’s ‘Abyss’ over here, and we plan to release the new Legs
Diamond album in Japan in the early part of 2005.
M.I : What's up next ? Any milestones?
or records that you 're really looking forwards to getting out there
again ?
Well, we
have an previously unreleased album from Glenn Hughes recorded with
Robin George in 1991 set for release in, possibly, February 2005.
Glenn has been very supportive, and we have promised to release it
after his new album 'Soul Mover' comes out in January. Again, there
are lots of things I could tell you...but not yet. Hope you're cool
with that.
M.I: Are you happy with the popularity
Majestic has found ? Future plans?
Yes, it's
been pretty gratifying. We made the decision very early on to be
totally transparent. Anybody can contact us and tell us how they feel,
and I regularly go onto message boards and forums and leave myself
open to whatever people wanna throw at me. That's hard, I can tell
you! As for plans.....
M.I : Do you get kicks out of it ?
Well, it's
better than working in a factory (apologies here to anyone who does
work in a factory, but you know what I mean!) Seriously, I wouldn't
have it any other way. Both Adrian and I have turned the love of our
lives (other than our wives and kids, of course!) into our job of
work. Living the dream, man...
M.I : Any thing you would like to
mention ?
Kinrick!
(M.I : Not too sure about this – I think it means kingdom – or sth.
I’m pretty sure there’s a whisky by that name…or something.)
M.I : Salute the Metal Invader crowd!
Thanks to
you guys for being who you are and what you are! I thank you on our
behalf and on behalf of all the other labels like us out there who
keep the flag flying - a brotherhood of metal!
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